Well sort of.
I've been pretty inspired by this photographer on Flickr who shoots with a lot of expired film and primes. And I somehow found myself being very drawn to the look of grain and out-of-focus pictures that inspire a mix of atmosphere and curiousity.
But grain and blurriness are things that modern cameras with their digital sensors try their very best to eliminate.
Thus I found myself wandering into the world of rangefinders. One thing led to another and I found myself lusting after a Leica. In the course of reading up on the subject, I found that the camera and its lenses represent the epitome of quality and reliability. And like users of Macs, I found this very strong sense of product loyalty among users of Leica, almost always to the point where people on the other side shake their heads and dismiss them as fanboys.

My new camera! I had to use my iPhone to take the shot and upload to Flickr because my Mac is in the hospital and my work laptop is a total turtle and unsuitable for anything other than surfing. It even sucks at connecting to the office network from home, but I'll save that for another rant.
Make no mistake, I still like digital cameras. They are convenient and forgiving of mistakes. There is no need to waste time making a trip to the photo lab to get the film developed or to buy more film, there is no messing around in the darkroom or scanning photos and then cloning out dust spots. You can shoot in RAW and tweak the white balance, exposure and a whole host of other stuff.
So why am I going back to film?
I'm not sure really. I just got the feeling that the results I was getting out of shooting digital were starting to feel a little too predictable, too technically precise, and it felt as if the camera was doing most of the work, while I was just a lazy button presser, preferring to fix any mistakes in photoshop.
Another factor was the bulk and weight of the SLR. I love the quality of the DSLRs and pro-lenses, but they weigh a ton and it's no fun at all carrying them out with me. What's the use of having top-end gear when you leave it at home in the drybox?
I found myself longing for a small point-and-shoot sized camera with a small lens that I would carry with me everywhere. I wouldn't feel self-conscious carrying it around, and I wouldn't be stopped by pesky paranoid security when I feel the urge to whip it out and take a photo. Ideally, I'd like this camera to be digital, but my personal take is that the technology is not quite there yet. Perhaps one day when there is a Leica with a 5D-quality full-frame sensor that can handle all their M lenses I'll make the switch. But for now, I think I'll just settle for a film version.

Size comparison with our Canon G7. The CL is only slightly larger. I'm waiting to get a smaller profile 40mm lens and the setup will be even smaller.
So that's how I ended up hunting for a rangefinder. I was toying with getting a Bessa, which would have taken the same lenses, but I found myself drawn to the legendary quality touted by Leicaphiles, and figured that if I could find a Leica in good condition and not too expensive, I'd give it a go just to see what the fuss was about.
I began my adventure by hunting for a Leica M6, but I saw this great deal on a Leica CL, and something told me that I'd be a fool to pass it up. Basically, this camera was in fantastic condition, and had just been serviced by the legendary Sherry Krauter. The CL actually uses a mercury battery which nobody manufactures anymore, but Sherry installed an adaptor that allowed the camera to take standard non-mercury button cells.
In addition, she calibrated the meter to the new battery type, replaced the photo-cell, re-calibrated the focusing of the rangefinder and did a full CLA (clean, lube, adjust) on the camera.
In short, what I have is a camera that was made around 1974-75 (over 30 yrs old!!!), and in almost the same condition it was in when it left the factory. To top things off, the previous owner threw in a leather camera case and was selling the whole thing for under $900!
In comparison, a second hand M6 with no guarantee of being in similar condition would have cost me close to $2,000. Even though I still wanted an M6, I told myself that it would be impractical to pass up this offer, and I could always upgrade to an M body later.
Well the body was just part one of the great adventure. For a couple of days, the camera body remained in a ziplock bag without a lens. I had another lens deal going on at the same time as the camera body, but the lens was sold to someone else. I finally ended up getting a lens from the same guy who sold me the camera. I'm glad I ended up getting the lens from him though. It's another oldie, even older than my camera body. This lens was made between 1959 and 1968, but looking at the condition it was in, you wouldn't be able to tell!
The amazing thing was that this lens was cheaper than a modern day Canon 50mm f/1.4 lens, with better build quality to boot!
It's been slightly over 24 hours and I'm already on the start of my third roll of film. Hopefully, I'll have a couple of keepers at least. I'm not too hopeful for my first roll because I didn't attach the lens properly and I found that I was metering through the entire roll using only shutter speed, and aperture adjustments had no effect. For a while I panicked, thinking that my camera was a dud, but then I realised that the dud was me 
I'm also having this issue where I tend to cock the shutter automatically after every shot, and when I pick up the camera after an hour or two, I end up accidentally hitting the shutter and wasting a frame.
I suspect that going back to film is going to train me to be more careful and think more before I fire off the shutter. Going by the rate at which I've been using film the last day or so, my mind is still in digital mode, but I'm sure that will change once I get the results back and see the number of good shots versus the number of crap pictures I get back.
That being said, I am in love with my camera, and I simply love the "click" of the rangefinder and the smell of the leather case.